Hold a magnifying glass over a page and the letters swell. Move it further out and they suddenly flip upside down. Nothing about the glass changed. Only the distance did.
That flip is the whole subject. A lens does one thing: it takes the rays spraying out from a point on an object and bends them so they meet again at some other point. A small move of the object can throw that meeting point from 30 cm behind the lens out to infinity and then around to the wrong side entirely. What follows is how to predict it, draw it, and chain several lenses and mirrors together without losing the signs.
Why the rays meet at all
You already have the one law this rests on. In reflection and refraction you saw that a ray crossing into a denser medium bends toward the normal by , and that a mirror sends a ray back at the angle it arrived.
Now picture a point source sitting on the axis of a piece of glass whose faces are curved. A ray that leaves along the axis hits both faces head-on and goes straight through. A ray that leaves at a steeper angle hits the faces further from the centre, where they are more slanted, so it gets bent more. That is the trick: the further off-axis the ray strikes, the harder the glass turns it. If the curvature is chosen well, the extra bending exactly compensates for the extra angle, and every ray from that one source point arrives at one common point on the far side.
The compensation is only exact for rays that stay close to the axis, where . Those are called paraxial rays, and every formula below is a paraxial formula. Rays far off-axis miss the meeting point slightly, a blur called spherical aberration, which this lesson ignores.
Call the distance from the lens to the object , and the distance to the point where the rays reconverge . Two facts pin down the relation between them. First, an object infinitely far away sends in rays that are parallel, and those converge at a special distance called the focal length . Second, light does not care which way it travels: if an object at images at , then an object at images at . A relation symmetric in and that reduces to when is
and that is the thin lens equation. The derivation from Snell's law comes later in this lesson, when you build it out of single curved surfaces. In words: the reciprocals add. If the object is far, is nearly nothing and . As the object walks in toward the focal point, grows until it eats the whole of , and hits zero: the image runs off to infinity. Push closer still and goes negative.
What a negative distance means
A negative is not an error. It means the rays leaving the lens are still spreading apart, and only their backward extensions meet. Your eye judges a bundle only by where it seems to come from, so it sees an image hanging on the same side as the object. That is a virtual image: you can look at it, you cannot catch it on a screen. A positive gives a real image, made of light that actually goes there, and a screen at that spot lights up.
Fix these conventions now and write them at the top of every problem:
- for an object in front of the element, where light actually comes from.
- for a real image: behind a lens, in front of a mirror.
- for a converging lens or a concave mirror; for a diverging lens or a convex mirror.
- when the centre of curvature lies on the side the light leaves toward.
Size comes from the ray that goes straight through the middle of the lens. It arrives at height at distance and leaves at height at distance on the far side, so similar triangles give . That ratio is the magnification:
The minus sign is the flip. A real image from a single converging lens always has and , so , so it is upside down. Every time.
Optical power is the reciprocal of the focal length in metres, measured in diopters: . A reading lens of cm m has D. Thin lenses pressed together add their powers, which is why the equation is written in reciprocals in the first place.
Quick check
An object sits between a converging lens and its focal point. The image is:
Two examples, plug-in then set-up
A candle and a lens. A converging lens has cm and a candle stands cm in front of it. Where is the image, and how big?
so cm, positive, so it is real and cm behind the lens. The magnification is , so the flame appears inverted at half size. If the candle is cm tall the image is cm tall.
How close can a projector get? A converging lens with cm throws a real image on a screen. What is the smallest possible object-to-screen distance?
Nothing is given to plug in, so set it up. The total distance is . Solve the lens equation for :
Minimise by setting the derivative to zero. With ,
which needs . Then cm, cm, and cm, which is . Object and image sit symmetrically at and the image is the same size as the object.
The same rearrangement explains a lab staple. Writing the total as shows that if there are two lens positions giving a sharp image on one screen, separated by . Invert that for the displacement method: , so cm with cm gives cm.
Measuring from the focal point instead of from the lens. The lens equation wants distances from the lens. If a problem hands you the distance from the object to the front focus, either add first, or switch to Newton's form , where is measured from the back focus. For cm and cm: cm from the back focus, which is cm from the lens. Mixing the two conventions in one line is the most common way to lose a problem here.
Mirrors run on the same equation
A concave mirror takes parallel rays and sends them through a point too, so it has a focal length and obeys the same relation. Its focal length is not independent of its shape: a ray parallel to the axis at small height strikes a sphere of radius at an angle to the local normal, reflects through twice that angle, and therefore crosses the axis a distance from the mirror. So
A shaving mirror ground to cm has cm. A convex mirror has its centre of curvature behind it, so and are negative and it can only make small upright virtual images, which is what a car's mirror does. For m, m, and a truck at m gives , so m and .
Rates come out of the same equation by differentiating. Hold fixed and differentiate with respect to time:
For a concave mirror with cm and an object at cm, cm and , so an object approaching at cm/s drives the image at cm/s. Image speed is not object speed, and the factor is the square of the magnification.
Quick check
A concave mirror of focal length 20.0 cm has a face 15.0 cm in front of it. What is the magnitude of the magnification?
Where the focal length comes from
Everything above took as given. To compute it, go back to one curved surface separating index from index . Applying Snell's law in the paraxial approximation to a ray striking at height on a surface of radius gives
Note that the indices ride along with their own side's distance, and that the right side plays the role of . Take a bug cm in front of a fish tank wall of radius cm bulging toward the air, with water at behind it:
so and cm inside the water.
A thin lens is two such surfaces back to back. Apply the surface equation at the front face, feed its image in as the object for the back face, let the glass thickness go to zero, and the intermediate distance cancels, leaving the lensmaker's equation:
For a biconvex lens of in air with cm and cm: , so cm. A plano-convex lens has one infinite radius, so one term drops: with and cm, and cm.
The medium term matters. Dunk a lens of focal length cm in water. The bracket falls from to , so grows by the factor , to cm. A glass lens in water is a feeble lens.
A pin and a glass ball. A solid glass sphere, cm and , sits in air with a pin cm in front. Where is the final image? Do the surfaces one at a time. Front surface, cm:
giving and cm past the front surface. The sphere is only cm thick, so those rays are still converging when they reach the back face and would have met cm beyond it. An object the light has not reached yet is a virtual object, and it goes in with a negative distance: cm. At the back surface light runs glass to air, so , , and the centre of curvature is now on the incoming side, so cm:
so and cm beyond the back of the sphere.
Chains: one element at a time
That is the general method and it never changes. The image from element one is the object for element two. Measure the new object distance from element two, let it go negative when element one would have imaged behind element two, and multiply the magnifications: .
Two converging lenses, cm and cm, cm apart, object cm in front of the first. Lens one: , so cm. That image is cm past lens one, hence cm in front of lens two, a perfectly ordinary real object. Lens two: , so cm, a virtual image cm in front of lens two.
When the two lenses are close together you can collapse them into one effective focal length. Running the same chain symbolically for a separation gives
For cm, cm, cm: , so cm. At this is the powers adding, as promised.
A mirror in the chain works the same way, with the light turned around. A lens with its back face silvered acts as one mirror whose power is the mirror's plus twice the lens's, because the light crosses the glass going in and again coming out: . For a plano-convex lens of and cm, the lensmaker's equation gives cm, and the silvered flat face is a plane mirror with . So and cm.
Instruments: what magnification means there
For a telescope, image size on a screen is meaningless. What matters is the angular magnification: the angle the image subtends at your eye divided by the angle the object subtended without the instrument.
With a magnifier, the best your unaided eye can do is bring the object to its near point cm, giving angle . Put the object at the focal point instead and the image goes to infinity, subtending . So , and a cm loupe is a magnifier.
A telescope in normal adjustment has the two focal points coincident, so a distant object subtending makes an intermediate image of height , which the eyepiece presents at angle . So : a cm objective with a cm eyepiece gives . A Galilean telescope uses a negative eyepiece and the same formula in magnitude, .
Rack the eyepiece out so the final image lands at the near point instead and the eyepiece object distance changes. With cm and cm: , so cm. The angular magnification is , a little more than the of normal adjustment.
A microscope multiplies a linear magnification by an angular one: the objective makes a real image at the far end of the tube, magnified by for tube length , and the eyepiece views it as a magnifier at . With cm, cm, cm and cm: .
Recognising it
The signal is an object, an element with a curvature or a focal length, and a question about where or how big. Then the decision tree is short.
One thin lens or one mirror, with given: the thin lens equation and , and read the signs off the answers rather than guessing at the start.
A radius given instead of a focal length: if it is a mirror, the lensmaker's equation if it is a lens, and the single-surface equation if the light stops inside the glass rather than coming out the other side. That last case is the tell for a glass sphere, a fish tank, or a bug in amber.
More than one element, or a silvered surface: chain them, one at a time, image becomes object, and expect at least one negative distance. Distances from focal points rather than from the lens: Newton's form. A rate of change: differentiate and pick up the factor . Angles rather than heights, or an eye at the end: angular magnification, and ask where the final image is meant to sit, at infinity or at the near point.
Every one of those is the same equation wearing a different hat. The trouble is never the algebra, it is the signs, and the only cure is writing the convention down before the first line.
Next comes the case where the ray picture breaks down entirely: apertures small enough that light spreads where geometry says it should not, in diffraction and interference.