Shine a laser through a single human hair and put a screen behind it. You do not get a shadow of the hair. You get a row of bright dots spread over half a metre, with dark gaps between them. Something that should block light has painted a pattern across the wall instead.
In the last lesson you traced light as rays, and the image was where the rays crossed. That worked because the lens was enormous compared with a wavelength. Once the obstacle gets small (a hair, a slit, a telescope aperture) rays stop being the right description and you have to use the fact that light is a wave. What follows is one idea used over and over: light arriving at a point by two routes adds or cancels, depending on how far out of step the routes are.
Two routes to the same point
Take a wall with two narrow slits in it, a distance apart, and a screen a distance behind. One wave arrives from the left, so both slits start their journeys in step. Two sources holding a fixed phase relationship like this are called coherent; without coherence there is no pattern, just a smear.
Pick a point on the screen at angle off the centre line. The far slit's journey to is longer. If is much bigger than (in any real setup is metres and is microns) the two rays to are essentially parallel, both tilted at . Drop a perpendicular from the near slit onto the far slit's ray and you cut off a right triangle with hypotenuse and angle . The extra distance is its short leg:
That is the path difference, and it controls everything. A wave that travels one extra wavelength arrives back exactly in step with itself. So if is any whole number of wavelengths, the two waves arrive crest on crest and add. Bright fringe:
The integer is the order: is the fringe straight ahead, where the two routes are the same length, is the first one out on either side. If instead is half a wavelength, or one and a half, the crest of one wave lands on the trough of the other and they cancel exactly. Dark fringe: .
Angles in these problems are usually tiny. With mm and nm, , so is about a third of a degree. That lets you use , where is the distance up the screen from the centre. Substituting, , so the th fringe sits at and consecutive fringes are separated by
Read that formula. Longer wavelength, wider fringes. Bigger screen distance, wider fringes. Bigger slit separation, narrower fringes: pattern and object are inverse to each other, which comes back with gratings and telescopes.
Example 1. Two slits mm apart, nm light, screen m away. Fringe spacing?
Put everything in metres: m, m, m.
That is mm. The pattern magnifies the wavelength by the ratio , which is 20 000 here.
Only use when the angles are small. If a problem gives you only a few wavelengths wide, is not small and you must go back to and take a real inverse sine.
Quick check
A double-slit pattern is observed, then the whole apparatus is moved into water of index 1.33. What happens to the fringe spacing?
How bright is the space between fringes
Problems also ask for the intensity partway between fringes. Each slit sends a wave of amplitude , and at angle the second arrives with a phase lag . One wavelength of path difference is one full cycle of , so
Add two equal waves that are apart. Drawn as arrows tip to tail, they form an isosceles triangle, and the resultant has length . Intensity goes as amplitude squared, so
where is the value at the centre. Note , not : two coherent beams at a maximum give four times one beam's intensity, not twice. Energy is not being created, it has been moved out of the dark fringes.
Example 2. At a point on the screen the two paths differ by . What fraction of the central intensity is there?
A path difference of is a phase of . Then , and . So
A quarter. Two thirds of the way to a dark fringe in path already costs three quarters of the brightness, because falls fastest in the middle.
The same picture handles unequal slits. If one transmits amplitude and the other , the arrows no longer cancel when they oppose. At a maximum the amplitudes add to ; at a minimum they subtract to . The intensity ratio is
Unequal slits never give true darkness. The fringes lose contrast but stay in the same places.
Adding intensities instead of amplitudes. Coherent beams add as arrows first and get squared at the end; only incoherent beams (two separate lamps) add as intensities. If you ever find the minimum of a two-source pattern by doing you will get the wrong answer whenever the slits are unequal.
One slit is also two slits, infinitely many times
Now close one slit and widen the other to a width . You still get a pattern: the surprise the hair demonstrated. A slit of finite width is not one source but a continuous strip of them, every point across the opening sending light onward. That is Huygens' principle, and it is why light spreads into the shadow at all.
There is a trick that gets the dark fringes without calculus. Split the slit down the middle into a top half and a bottom half, each of width . Pair the very top point with the point below it, the next point down with the point below that, and so on: every point in the top half has a partner in the bottom half, exactly away. Each pair has a path difference of . If that equals , every single pair cancels, so the whole slit cancels. That condition is . Splitting into four strips instead of two gives , and so on:
That equation is a trap. It has the same shape as the double-slit formula but locates the dark fringes, and is excluded: at every route is the same length and everything adds, giving a broad central bright band running from to in , flanked by much fainter side lobes. Its half-width again has the obstacle downstairs: narrow the slit and the light fans out further.
Quick check
Which quantity appears in the formula for the dark fringes of a single slit?
Example 3. A nm laser lights a single slit; on a screen m away the central band is mm wide, edge to edge. Find the slit width.
Edge to edge means from the first minimum on one side to the first on the other, so the half-width is mm m. For the first minimum, and :
Notice is the same algebra as . Always check which distance the problem handed you, full width or half width, before dividing: that factor of two is where most of the lost marks go.
Fringes inside an envelope
Real double slits have width. Both effects happen at once, and they simply multiply: the fine interference fringes from the separation , modulated by the broad diffraction envelope from the width .
The first factor you derived above. The second is what the full sum over the slit gives, and its zeros are exactly the you found by pairing. You rarely need it in full, but you do need what it does to the count.
Since always, fringes are packed closer than envelope zeros. Fringe sits at and envelope zero at , so they coincide when . If is a whole number those fringes land on a zero and are erased: the missing orders. With , orders vanish.
Example 4. Two slits, each mm wide, separated by mm, lit at nm. How many interference maxima lie strictly inside the central diffraction envelope?
Ratio first: . The central envelope runs out to the first zero at , and the interference order there is . So order is exactly on the envelope zero and is missing; the orders strictly inside are .
Count them: one central, four on each side, so maxima.
The general rule: the number of fringes inside the central envelope is , and when is an exact integer the fringes at are missing rather than merely at the edge.
Many slits, and why gratings are instruments
Go from two slits to equally spaced ones. The maximum condition does not change: if adjacent slits are in step, all are, so the bright directions are still . What changes is sharpness.
With two slits, stepping off a maximum puts the pair a little out of phase and the brightness drops slowly. With slits the same small mismatch between neighbours accumulates: slit is behind slit 1. Draw the arrows tip to tail, each turned by from the last, and they curl into an arc. When the total turn reaches the arc closes into a circle and the resultant is zero. The first dark point beside a maximum is only away in phase instead of , so peaks narrow as while staying put.
Narrow peaks let you tell two close wavelengths apart. The chromatic resolving power of a grating with illuminated lines used in order is
where is the smallest wavelength difference you can separate.
The other grating number is the angular dispersion, how far apart in angle two wavelengths emerge. Differentiate with and fixed: , so
Higher order spreads the spectrum more, and so does a finer grating.
Example 5. A grating with lines/mm is used in second order near nm. Find the angular dispersion in rad/nm.
The spacing is one over the line density: mm m.
Find the angle first, since is in the answer. With :
Now substitute:
Convert to per nanometre by multiplying by m/nm: rad/nm. So the sodium doublet, nm apart, comes out about mrad apart here.
Two more things gratings do that show up constantly. The highest visible order is set by : from you need , then round down. And orders overlap, because is what fixes the angle, not : third order of nm and second order of nm both give nm and land on top of each other.
Whenever a problem tells you the grating is tilted, or lit at an angle , the path difference between neighbouring slits picks up a second term from the incoming side. The condition becomes with both angles measured from the normal on the same side. Every other grating result follows from this one by setting .
Apertures, telescopes and the Rayleigh criterion
A circular hole diffracts too. The pairing trick does not work cleanly on a disc, so the maths is messier, but the result has the same shape as a slit's with an extra numerical factor. The first dark ring sits at
for an aperture of diameter . That central blob is called the Airy disc, and it is the smallest image a perfect lens can make of a point.
Two stars closer together than this merge into one blur. The Rayleigh criterion says they are just resolved when the centre of one Airy disc falls on the first dark ring of the other, i.e. when their angular separation equals . Bigger telescopes see finer detail for this reason alone, nothing to do with collecting more light.
Example 6. A binary star has an angular separation of arcsec. What aperture resolves it at nm? Use rad arcsec.
Convert the angle:
Set that equal to the criterion and solve for :
A 35 cm telescope. The same formula on a mm eye pupil at cm gives the finest detail your eye can pick out; on Hubble's m mirror it gives rad.
Two setups that are secretly a double slit
Several classic problems are double slits in disguise, and spotting the disguise is the whole solution.
Lloyd's mirror. A point source sits a height above a flat mirror. Light reaches the screen directly, and also by bouncing off the mirror. The reflected light appears to come from an image source a distance below the mirror, so you have two sources separated by and every double-slit formula applies with that . One catch: reflection off a denser medium flips the phase by , so the bright and dark fringes swap, and the fringe spacing is unaffected. With mm, nm and m, the spacing is m, i.e. mm.
A slab over one slit. Put a transparent sheet of thickness and index over one slit. Inside it the wavelength is , so the sheet fits times as many cycles as the same thickness of vacuum. The extra path, in vacuum terms, is ; divide by for the fringe shift:
With m, and nm: fringes.
The same counting logic drives the Michelson interferometer. Moving one mirror by changes that arm's path by , because the light goes there and back, so the number of fringes that sweep past is . Replacing gas of index in a cell of length with vacuum changes the path by , giving . Every one of these is the same sentence: count how many extra wavelengths one route gained.
Recognising which tool a problem wants
The formulas are few; picking the right one is the skill. Work down this list.
What length is the problem handing you? A separation between two openings means interference and maxima at . A width of one opening means diffraction and minima at . A diameter of a round aperture means . If both a width and a separation appear, you need the envelope picture and probably a missing-order or fringe-count question.
Is it asking where, or how bright? Where means the conditions. How bright means going back to the phase, , and squaring an amplitude sum.
Does the word "resolve" or "just distinguish" appear? That is Rayleigh for apertures, for gratings. Both are about telling two nearby things apart, and both get better as the instrument gets bigger.
Is there a reflection, a mirror image, or a second path that is not a slit? Then it is a disguised double slit: find the effective separation between the real source and its image, and use with that.
Does anything sit in the beam, or is the whole setup in a medium? Then count optical path, times the geometric length, and convert the difference into fringes by dividing by .
Finally, sanity-check every angle. Visible wavelengths are half a micron. If a problem gives you slits tens of microns apart, the first order is a couple of degrees and the small-angle form is safe. If it gives you a grating with only two or three wavelengths wide, expect angles of tens of degrees, keep the inverse sine, and check whether the order you were asked for even exists.
The next lesson takes the same path-difference bookkeeping and applies it to light bouncing off the two surfaces of a thin layer, where the reflection phase flip you met in Lloyd's mirror stops being a footnote and starts deciding the answer: thin-film interference.